Because ״b o n d ״can have a psychoanalytic connotation, as i n the reference to Freud i n the text, I have tried to avoid using it i n other contexts. Sometimes I have chosen ״chains ״to avoid a mixed metaphor w h e n the image is to ״forge chains. ״Sometimes ״bonds ״has been used w h e n the context calls for a less emphatic word. Notes 225 Bibliography 255 Index of Names 259īecause the subtitle of a section of chapter 4 reads Vinculum vinculorum (part of the sentence later quoted i n full, Vinculum quippe vinculorum amor est), I have translated the French liens sometimes as ״bonds, ״sometimes as ״chains, ״since vinculum means both. The Permissiveness of the Renaissance 209 It Will Be Hotter in Hell! 212 An Exhaustive Moralism: The Legend of Faust A Final Result? 222 ![]() (i) A Wingless Fly 179 (ii) Why Was the Year 1484 so Formidable?Ĭensoring Phantasy (i) (ii) (iii) (iv) (v) (vi)Ībolition of the Phantasmic 192 Some Historic Paradoxes 195 The Controversy about Asinity 197 The Wiles of Giordano Bruno 200 A Single Reformation 202 The Change in Ways of Envisaging the Worldĭoctor Faust, from Antioch to Seville 209 Some Concepts of Demonology 144 Demons and Eros 148 Witches and Demoniacs 151 Demonomagic f r o m Ficino to Giordano Bruno Classifications of Magic 156 Trithemius of Würzburg 162 Intrasubjective Magic 130 Intersubjective Magic 137 Higher Presences 138 The Lures 141 Propitious Times 142 Identity of Substance, Identity of Process 87 Manipulation of Masses and of Individuals 89 Vinculum Vinculorum 95 Ejaculation and Retention of Semen 99 Of Magic as General Psychosociology 102 The Starting Point of Magic 107 ״Subjective ״Magic and ״Transitive ״Magic The Conspiracy of Things 111 The Theory of Radiations 117 Pneumatic Magic 127 Mnemonic Phantasms 65 A m b i g u i t y of Eros 67 A t the Heart of Bruno's Doctrine 70 Actaeon 77 Diana 79 The Parable of the Nine Blind M e n 83 Circe 84 (i) Pico della Mirandola, Continuator of Ficino 53 (ii) The Ambiguous Gods of Eros 58 Giordano Bruno, a Man of the Phantasmic Past 58 Scandal in London 60 v (i) The Empirical Psychology of Ficino and Its Sources (ii) The Art of Memory 32 (iii) The Phantasmic Eros and the Appeasement of Desire 38 (iv) Phantasms at Work 41 (v) The Depth Psychology of Ficino 42 Descent of the Soul 42 Melancholy and Saturn 46 21 (iii) The Vehicle of the Soul and Prenatal Experience 23 On the Inner Sense 3 Some Preliminary Considerations 3 The Phantasmic Pneuma 6 (ii) Flux and Reflux of Values in the Twelfth Century 11 Acculturation of the West 13 How a Woman. Translator's Note ix Foreword, by Mircea Eliade xi Acknowledgments xv Introduction xvii PHANTASMS AT W O R KĮmpirical Psychology and the Deep Psychology of Eros 28 © The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences-Permanence of Paper for Printed Library Materials, A N S I Z39.48-1992. Translation of: Eros et magie k la Renaissance, 1484. LIBRARY OF CONGRESS CATALOGING־IN־PUBLICATION DATA Culianu, loan P. Published 1987 Printed in the United States of America 07 06 05 04 03 02 01 6 This book was originally published in France under the title Eros et magie ä la Renaissance, 1484, © 1984, Flammarion, Paris. ![]() THE UNIVERSITY OF CHICAGO PRESS, CHICAGO 60637 THE UNIVERSITY OF CHICAGO PRESS, LTD., LONDON © 1987 by The University of Chicago All rights reserved. E R O S AND M A G I C IN THE RENAISSANCE Translated by Margaret Cook With a Foreword by Mircea Eliade
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